Seemingly birthed from some kind of virtuosic computer algorithm or beamed directly from outer space, Theo Anthony’s debut feature Rat Film was a peculiarly engaging, wholly fascinating documentary. The result is an affecting, brutal look at the real-life trauma of the One-Child Policy for one economically struggling family in a rural area of China. – Michael F.
Unflinching in her questioning of the abandonment and how it affected each individual party, the film moves throughout Jin’s life with persistence and without rush. Jin was raised by her uncle and grandmother, and some 25 years later Wang interviews Jin, her biological parents, and her extended family over the course of several years. More specifically her sister Jin, who was abandoned at birth during the height of China’s One-Child Policy.
#NONTON FILM CITY HUNTER 2011 FULL#
( full review)Īll About My Sisters, the nearly three-hour documentary debut from Wang Qiong, could be called All About My Sister. Reece (alongside co-writer John Selvidge) has crafted a disarming, funny, incredibly unique take on demonic possession about faith, womanhood, and, of course, horny nuns. With over twenty-five feature films thus far, spanning his career since 2008 as a lower-budget indie darling––and who impressed with a wider reach with last year’s Fantasia staple Climate of the Hunter––Reece makes clear how films like The Conjuring franchise have been failing us. Because part of what makes his new feature Agnes work so beautifully is its very upending of expectations for that particular (and, arguably, very tired) horror subgenre. But director Mickey Reece wants you to forget everything you know about possession and exorcism in film––or, well, maybe not. Things quickly, expectedly start to unravel from there. When the convent of Saint Theresa fear there’s evil inhabiting the body of one of their young nuns, they outsource help from the diocese. See our comprehensive guide to where to stream the best films of 2021.Īgnes begins how any other possession film might––with the discovery of a demonic presence. Check out this week’s selections below and past round-ups here. Scott calls the film “a powerful and pungent reminder of the necessity of art.Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Davis is superb as Rainey, chewing up her lines and spitting them out with contempt at anyone who crosses her, and Chadwick Boseman, who died in 2020 and won a posthumous Golden Globe best actor award for his performance, is electrifying as the showy sideman, Levee, a boiling pot of charisma, flash and barely concealed rage. The setting is a Chicago music studio in 1927, where the “Mother of the Blues” Ma Rainey (Viola Davis) and her band are meeting to record several of her hits, though that business is frequently disrupted by the tensions within the group over matters both personal and artistic.
Wolfe brings August Wilson’s Pulitzer Prize winner to the screen, quite faithfully - which is just fine, as a play this good requires little in the way of “opening up,” so rich are the characters and so loaded is the dialogue.